A lot of these aspects were illustrated by their frontman, Morrissey. Firstly, Morrissey's abhorrence of the British political system presented an image of himself to his fans and the general public of a person who enjoys "sticking it to the man", thus conforming to the rebellious aspect of indie music. Morrissey often expressed this disdain through his lyrics. For example, in 'Margaret on the Guillotine' he ponders wishfully the prospect of Margaret Thatcher dying. Despite now arguably living a bourgeoisie lifestyle, the fact that he still has a Punk-like ethic suggests he still has a connection with his working-class origins.
Like many members of indie bands raised in a working-class environment however, he voices that he always felt somewhat of an outsider - indie music is seen as being made for 'the outsider'. Juxtaposed to his traditionally heterosexual masculine working-class surroundings, Morrissey was slightly fragile and publicly ambiguous as regards to his sexuality. Morrissey personifies some of the ideas of post-modern feminism, showing that, regardless of a person's gender, we are capable of both 'masculine' and 'feminine' behaviour, which is the basis of Queer theory.
The Smiths conformed to the staple image of an indie band, dressing in plain, smart, and dark clothing, as well as having a lot of their photographs in black and white. This styling is often used to convey the idea of the music being more important than styling (hence why they dressed quite plainly), as well as a way of "sticking to the man" considering how over-glamorised most artists were in the charts during The Smiths' time together as a band.









